Wednesday, June 20, 2012

Concepting


Hey guys,

We're on the home stretch....For the next several classes, we're going to be using much of the class time as a lab for designing your concepts as well as working on technique and style. If you presented mood boards that expressed a spectrum such as a museum or art gallery, then you should do one concept for each mood board. If you presented mood boards with one that articulated or expressed the current brand and one that targeted the new brand, then you should base both your concepts on the future brand. Play with "volume." In the case museums, maybe one concept is more about the visitor and another is more about the museum and it's work - each with the "volume" turned up on and down on pictures, color, type, etc. You get the idea. Ask lots of questions over the next week.

2011 web techniques presentation

Below are the assignments for this week, required reading and templates. Go get em!

Remember. Pop quiz next Tuesday based on all the required readings to date..including this week.

Final Assignment #1:

Integrate and utilize all the materials (tools) you’ve developed over the course and develop 2 alternative homepage concepts that are on strategy, architecture and brand. As discussed, design your home pages for a 1024 x 786 screen resolution which means your PSD should be 990px X 768....With extended canvas, your PSD will end up being 1400 px X 1000 PX.

Final Assignement #2:

Pick one of your final home page designs and develop a simple 2 page style guide detailing typefaces, colors, links and other vital information for a smooth handoff.

Save both the your home page concepts as JPGS and style guide as PDF. These files should be uploaded to the class server/folder.

FOR CRITIQUE:

1. Web Pages - save as jpgs into your folder for projection
2. Wire Frame - Also save as jpg in your folder for projection
3. Style Guide - Save as PDF into your folder for possible projection

We will be reviewing all of the above deliverables for your final presentation.


If you're one of many that need more support in Photoshop, now is the time so ask questions, schedule time to meet with me or Yang and look at plenty of examples.



Here's some elements of the MeetTheStreet PSD that might be useful with regards to plucking elements, icons, etc. We'll talk more about this next week.

Required Reading:


Another top 5 Sites:

www.k10k.com
www.lessrain.de
www.iht.com
www.metadesign.com
www.ourcommon.com

Tuesday, June 5, 2012

Branding & Mood Boards


You made it to branding and everyone's doing a great job!

We now continue along the web design process and discover how brand and mood boards all play an important role in establishing the right brand voice and tone for your upcoming proposed site redesigns. Feel free to develop one mood board for the current site and one for the one you're redesigning based on your most primary audience(s) OR one board for one audience and one for another - many ways to do this so have fun with it.

Example on how to think about it:

1. One board for current site and one for future site

Lets say you're redesigning a museum site cause the current one is too busy and doesn't prominently feature artwork on the home page...maybe one board articulating how busy and plain the current site is and one that articulates clean, artwork-rich and text-light direction...maybe it feels aspirational and easy to scan..

2. One board for one audience and a second one for the secondary or other primary audience (you can have 2 primary audiences)

Lets say you're doing an airline site...maybe one board that feels more "tool" or resource=centric...where business people can easily interact with scheduling, tickets and other airline services. The other board might be for typical tourists or travelers...that might feel more destination and lifestyle-centric...


These should be 20 X 30 inches...we'll project instead of printing...this is my gift to you...

So what should be on your mood boards? Anything that g­­ets your creative point across. This can include colors, typography, imagery, illustrations, white space (or lack thereof), and messaging. If you were working with a content strategist or copywriter, you might include taglines, slogans, brand attributes (adjectives), or a vision statement. This helps the client to not only visualize the proposed style, but to see how the verbiage can support the overall experience.

Mood boards can be extremely helpful when you’re searching for an overall tone or visual language, but they can also expedite the approval of a creative direction before heading into interface design. In the past, we have noticed that separating initial creative ideas from the mechanics of the site allows the client to make clear and concise design decisions without impacting time or budget.

There are a few things to keep in mind when creating mood boards.
Choose an orientation that best fits the subject matter.
Take into account the audience and how you’ll be presenting to them. Your mood boards can be digital or printed (or both) depending on whether your meeting is virtual or in person.

And finally, have fun. Creating mood boards is not a rigidly define activity. Use whatever pieces you can to express your vision, whether it is cutting and pasting magazine bits to Gatorboard or adding minute details and a custom polish to every serif. Do the research on mood boards...use a mixture of pictures, type, color, icons or non of those or all of those...the board as a whole should help articulate a vibe or mood for your intended direction....

Questions?


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Assignment 1:

Use stock photography/illustration, objects, colors, icons, type and/or anything else it takes to get your mood across and develop 2-mood boards (see different combinations of mood boards above) using pictures, brand attributes, color blocks, icons, etc. You can also use www.tonystone.com or www.gettyimages.com for other photo choices.

Guidelines:

- 20 x 30 format in illustrator

- save as 2 separate JPGs for projection

Thx
s

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Some Resources:


Finding the roots of trademarks in heraldry, potter's marks, monograms, and other such ancient devices, this book traces the history of the corporate visual lexicon and produces a taxonomy of the commercial age. An alphabetical section covers motifs from animals to waves, with short definitions and analyses beautifully complemented by daringly cropped and crisply photographed images. Pictures of this quality and interest would steal the show in most volumes, but the text stands up well to the challenge of images that gain force because of the familiarity of their subjects (corporate trademarks), and the unusual sense that the book's context lends to them. Marks of Excellence is a worthwhile exploration at the modern language of ownership.--This text refers to an out of print or unavailable edition of this title.

From an interactive website to a business card, a brand must be recognizable, differentiated and help build customer loyalty. This indispensable resource presents brand identity fundamentals and a comprehensive dynamic process that help brands succeed. From researching the competition to translating the vision of the CEO to designing and implementing an integrated brand identity program, the meticulous development process is presented through a highly visible step by step approach in five phases: research and analysis, brand and identity strategy, brand identity design, brand identity applications and managing brand assets.